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Form Fol­lows Fic­tion; instal­la­tion and pho­tos: Corinne I. Rusch, 2009

/ On the state of the sausage /

The Vien­nese sausage stand is a brand like the cof­fee house or the wine tav­ern. But what does an orig­i­nal Vien­nese sausage stand actu­al­ly look like and what should you bear in mind when design­ing it?

When the sausage stand in front of the Alberti­na was to be rebuilt, we set off with the oper­a­tors on a night-time explo­ration tour across the city in search of role mod­els. We trav­eled Ringstrasse and Gür­tel, Schwe­den­platz and Florids­dor­fer Bahn­hof for field research and drank our beer in front of cheap alu­minum huts or con­vert­ed steel con­tain­ers, but we were fooled by the change­able char­ac­ter of sausage archi­tec­ture, the exam­ples did not merge into a basic type and no arche­type appeared at the bot­tom of our six­teen-sheet. We did­n’t find the tra­di­tion­al stand, and the myth had so far been com­plete­ly with­out design. At least with­out plan­ning design.

You have to look for the poet­ry around the sausage stand, it is com­plete­ly cov­ered by the many decals and adver­tis­ing signs, the smell of old fat and burnt sausage does­n’t go well with it either, and some­times the myth only shines very dim­ly when it is fed by sto­ries of where Fal­co is said to have thrown up on Mari­ahil­fer­straße and was then ordered to clean it up by the res­olute sales­woman. But the sausage stand enjoys wide­spread sym­pa­thy, as one speaks of a good friend who is beyond reproach. Here, the locals still have some­thing to say: if you can order from a sausage stand with­out an accent and under­stand the cab driver’s taunts, you have arrived in the city. The cult is a rel­a­tive­ly recent one, hav­ing entered pop­u­lar cul­ture in the 1980s, with reports in films and mag­a­zines illus­trat­ing its social elas­tic­i­ty and per­me­abil­i­ty, a social fill­ing sta­tion for the urban fla­neur. The sausage stand became as much a Vien­nese brand as the Heuriger or the cof­fee house.

Com­pa­ny gas sta­tion for the urban fla­neur

Company gas station for the urban flaneur

Its devel­op­ment fol­lows dif­fer­ent paths. The smell of the mar­kets still clings to some stalls today when they are placed in nich­es and pass-throughs between mar­ket stalls; at the front Naschmarkt, this can still be found at the Hor­vath butcher’s stall. The prox­im­i­ty to the butch­er is obvi­ous when the company’s own fresh sausages are cooked and sold direct­ly. Anoth­er ori­gin is the fly­ing mer­chants and street ven­dors, in the out­go­ing In the 18th cen­tu­ry they were called Bratel­brater in Vien­na; they sold hot sausages and smoked meat from small stalls or from the win­dows of alley­ways. Oth­ers prac­ticed the trade with vendor’s stores and portable sausage ket­tles at fairs and folk fes­ti­vals. In the In the 19th cen­tu­ry, traf­fic junc­tions and busy squares were added to the rapid­ly grow­ing cities, where peo­ple in a hur­ry ate their snacks. The water pot was heat­ed with coal in sim­ple hand­carts; roofed and bet­ter equipped, they were grad­u­al­ly designed as ready-made trail­ers. Only in the 60s of the In the 20th cen­tu­ry, fixed stands were per­mit­ted in Vien­na. Today, Mari­ahil­fer­straße is home to the last remain­ing mobile stall.

Form follows function

The range is also chang­ing. In Tante Jolesch, Tor­berg used to eat an apple at night at the sausage stand at Schot­ten­tor, while his quirky com­pan­ion Dr. Sper­ber ate some Boer sausages. Until 30 years ago, the built-in sausage stove dom­i­nat­ed the menu with­out restric­tion; the Meter­bu­ren­wurst, Debrezin­er, Frank­furter and Wald­viertler sausages float­ed in the water bath, invis­i­ble and hid­den from hun­gry eyes. Then the grilled Käsekrain­er began its tri­umphal march and today it already accounts for 70 per­cent of sausage con­sump­tion in inner-city loca­tions. Form fol­lows func­tion: grill plates and deep fry­ers take up con­sid­er­ably more space than before and require com­plex exhaust sys­tems. The stalls are trans­formed into small restau­rants where every­thing can be accom­mo­dat­ed in a very small space.

But what could a new sausage stand look like? The attempt to learn some­thing from the exist­ing huts, as a blame­less expres­sion of anony­mous archi­tec­ture, is more like­ly to lead to mad­ness. In terms of design, the stands should appear open and trans­par­ent, with food and prod­ucts vis­i­ble and staged in dis­play cas­es and win­dows. The stand as an object can appear sym­bol­ic, but not clum­sy. The typo­log­i­cal prox­im­i­ty to the beach kiosk and mobile ice cream van is greater than that to the snack restau­rant. Mate­r­i­al, light­ing and let­ter­ing play a major role, allow­ing ref­er­ences and play­ful ref­er­ences to be expressed.

All this is less a ques­tion of style; inter­ven­ing with plan­ning here means above all orga­niz­ing the inner life and arrang­ing tech­ni­cal require­ments, oth­er­wise the pret­ti­est out­er dress will not fit well in the end because some­thing is push­ing through here and some­thing is stick­ing out there. This is a fid­dly job with lots of coor­di­na­tion and detailed draw­ings. At least as many com­pa­nies are present at the con­struc­tion meet­ings as for a medi­um-sized res­i­den­tial build­ing.

It is said to have hap­pened not so long ago at a stall at Florids­dor­fer Spitz: eager tax offi­cials observed the object in secret for a while before they then had the con­tents of all the dung bins spread out accu­rate­ly on the ground to prove con­sump­tion with­in a cer­tain peri­od of time. You won’t find such wild tax audits today since cash reg­is­ters have become wide­spread in stalls, part­ly because they are used to check employ­ees. This is how sto­ries can become anec­dotes. One oper­a­tor recount­ed the fol­low­ing episode from the 1980s, when an attack was car­ried out on the Hun­gar­i­an bank on the cor­ner of Kruger­straße and Kärnt­ner­straße and the explo­sion sent splin­ters and frag­ments fly­ing in all direc­tions, at which point the sausage sell­er in the adja­cent sausage stand bent down to grab a mus­tard buck­et, thus pre­serv­ing his life in trou­bled times. The cir­cum­stances have long been for­got­ten, the con­tem­po­rane­ity has slipped into an anec­do­tal guise.

The appeal­ing idea of the sausage stand as a place of com­mu­ni­ca­tion con­ceals its actu­al func­tion as a local sup­pli­er: this is where peo­ple in a hur­ry and work­ing peo­ple eat, stand­ing between two paths, it has to be cheap and fast, as a play­er in the fast food seg­ment, a pair of frank­furters can hard­ly cost more than €2.90, even in good loca­tions. Here, the fam­i­ly resem­blance with piz­za stall, kebab stand and Asian snack is par­tic­u­lar­ly evi­dent.

How do you become a sausage stand own­er? Depend­ing on the sit­u­a­tion and size, the build­ing author­i­ty, the mar­ket office or the munic­i­pal dis­trict office is respon­si­ble for licens­ing. This leaves some room for a strate­gic approach; one pre­ferred way was to obtain a com­mer­cial per­mit for the busi­ness premis­es with­out the Depart­ment of Urban Design, MA19, hav­ing any say in the mat­ter. As a result, many a stand was for­mal­ly and legal­ly approved with­out any­one feel­ing respon­si­ble for the over­all view. For some years now, the author­i­ties have been more atten­tive and new stands are hard­ly ever approved any more. The Cham­ber of Com­merce cur­rent­ly counts 603 sausage and kebab stands in Vien­na.

Instead of the plot in Döblinger Cot­tage, one could just as well hope for a lease agree­ment for a good loca­tion from the unknown hered­i­tary uncle, near the Ring or Schwe­den­platz. The oper­a­tion is a cater­ing trade with­out a cer­tifi­cate of com­pe­tence, a so-called free trade. That sounds bold and proud, and in a coun­try where so much is reg­u­lat­ed, free trade still holds the promise of a future for new­com­ers and new arrivals. Quite a few oper­a­tors have immi­grat­ed in this gen­er­a­tion and mix with old Aus­tri­an sausage barns and third-gen­er­a­tion pub oper­a­tors.

Coachman’s menu and night birds

The dai­ly chronol­o­gy of a stand like the one in front of the Alberti­na begins at 7 a.m. when the stand is cleaned. Street sweep­ers and trades­men are the first to appear, a lit­tle lat­er the car­riage dri­vers take their coachman’s menu, a white spritzer with a Jäger­meis­ter. The lazy morn­ing is brought to an abrupt end at mid­day by trades­peo­ple and hur­ried passers-by, peo­ple from the sur­round­ing offices also lunch here stand­ing up, and a thread of shop­pers and tourists con­tin­ues through­out the after­noon before some peo­ple have a small sup­per on their way home at the end of the office and busi­ness hours. The staff switch to a male team for the night, live­ly opera-goers risk the per­for­mance break for a glass of cham­pagne out­side, then the first night birds set­tle down, appear from some­where, linger briefly and dis­ap­pear again, cab dri­vers buzz around the stand at all hours of the night until the offi­cial clos­ing time at 4am.

This chron­i­cle is an inner-city one; at the Florids­dor­fer Spitz or the Prater, oth­er func­tions will come to the fore, even if the sausages are the same. As a refuge for drinkers and drifters, for exam­ple, who nobody would call strollers.

After our fruit­less tour, we were per­haps left with the real­iza­tion that the image of the sausage stand is a ques­tion of design and a ques­tion of nar­ra­tive, form and fic­tion. This need not be a con­tra­dic­tion in terms. Both should be good. You have to be con­fi­dent that new stain­less steel sheets and behind unsup­port­ed glass cor­ners will accu­mu­late sto­ries such as moss or verdi­gris. The rep­u­ta­tion is only ever as good and live­ly as use­ful sto­ries are in cir­cu­la­tion, not just old anec­dotes.

Sausage beat

When, on a warm Fri­day night last sum­mer, two DJs were play­ing at the stand near Prater fore­court while an end­less stream of young peo­ple rolled along in front of them between the large Prater Dome dis­co and the night­club in the Fluc tub, and when, after hours of hes­i­tant­ly stand­ing around, whole clus­ters of these night birds final­ly start­ed danc­ing on the asphalt fore­court until the ear­ly hours of the morn­ing, and at some point one of the DJs react­ed quick­ly and had the dri­vers of the hum­ming MA48 dung cart brought coke and sausages so that instead of sweep­ing, they con­tin­ued to let their yel­low flash­ing lights sweep across the dance floor, then that was the tip of a sto­ry that some­how even point­ed back to Fal­co on Mari­ahil­fer­straße, with less instruc­tion and a bet­ter mood, for my taste.

Gre­gor Schu­berth, Feb­ru­ary 2012
Pub­lished in Spec­trum, Die Presse, June 29, 2012
″ Arti­cle online (Die Presse)

Any­one who can order from a sausage stand with­out an accent and under­stands the cab driver’s taunts has arrived in the city.